We extend our deepest gratitude to the individuals and supporters who have quietly shaped the contours of this project.
Their belief in unresolved processes, fragmentary research, and speculative structures has allowed us to move through uncertainty with conviction.

This work could not have taken place without the care, trust, and generosity of those who remain—by choice or design—at the margins of visibility.
We acknowledge their presence not only as providers of material support, but as conceptual allies in building a space for shared attention, drift, and inquiry.

To support something undefined is an act of faith.
We thank you for holding the space open.

Funding and Contributions

Institutional & Platform Partners

  • The Archive of Misread Gestures (AMG)
    A gesture-based research platform focusing on embodied syntax, language failures, and the minor politics of movement.

  • Zone–1.4: Media Topologies Lab
    An advanced lab and publishing interface supporting interdisciplinary projects investigating digital infrastructures, visual logic, and algorithmic governance.

  • The Observatory for Temporal Divergence
    A research environment supporting speculative media archaeology and post-event cinematic construction.

  • The Infraindex Bureau
    Archiving and funding latent image practices, hidden symbolic systems, and trans-narrative visual models in expanded curatorial formats.

Funders & Research Supporters

  • The Lamina Foundation for Speculative Research
    An international foundation supporting experimental art practices exploring image perception, cognitive dissonance, and post-linear research frameworks.

  • Index Synthetica
    A cross-disciplinary initiative funding small and mid-scale research projects situated at the intersection of symbolic systems, machine cognition, and posthuman aesthetics.

  • The Oscillatory Studies Bureau (OSB)
    A funding body supporting time-based works focused on frequency, modulation, and structural media transformations in audio-visual research.

  • Soma Semaphore Initiative
    A soft-infrastructure grant supporting embodied technologies, experimental prosthetics, and non-verbal intelligence within performative systems.

  • Phantom Syntax Research Fund
    Specializing in the support of artists and theorists working within fields of media semiotics, glitch theory, and image collapse architectures.

  • The Trans-Perceptual Alliance
    A cooperative grant program for projects engaging with altered perception, sensory inference systems, and critical aesthetic response to technical mediation.

  • The Institute for Displaced Cognition (IDC)
    Providing funding and critical mentorship to research-embedded practices working on cognitive displacement, technological ghosts, and agency in artificial systems.

Individual Patrons & Cultural Benefactors

  • Yuze Luan
    Architect, gallerist, and independent patron supporting post-media experimentation and spatial computation.

  • Elena M. Vidal
    Private collector and former curator supporting research-driven artistic practices, with a focus on affective structures and dislocated perception.

  • Dr. Tobias Leroux
    Philosopher and independent arts benefactor contributing to post-disciplinary investigations in symbolic cognition and language failure.

  • Isabel Chen-Yang
    Writer and transmedia archivist funding visual experiments in memory systems, speculative fiction, and synthetic bodies.

  • Nicolas Renier
    Patron of time-based media and experimental cinema, supporting sound-image disjunctions and nonlinear narratology.

  • Prof. Emerita Carole M. Shin
    Longtime supporter of anti-extractive media strategies, with contributions to artist-led inquiries on ecological temporality and signal fragmentation.

  • A. J. Kohler
    Private supporter of microgrant infrastructures for practices situated at the intersection of error aesthetics and algorithmic speculation.

  • Anouk Rahimi
    Amsterdam-based technologist and collector focused on emergent machine subjectivities and soft agency in distributed networks.

  • Franco Biancani
    Sound theorist and media patron supporting ephemeral audio forms, sonic dissociation, and research into acoustic shadows.

  • Mira H. Solberg
    Norwegian media philosopher and private patron supporting practices focused on visual latency, dispersed archives, and spectral systems of knowledge.

  • Alaa D. Benyahya
    Independent researcher and collector based in Tangier and Paris, funding works at the edge of non-verbal intelligence and fragmented memory ecologies.

  • Renata Zhu
    Singaporean-Argentine patron with long-term commitment to artistic infrastructures investigating post-human intimacy and algorithmic inference.

  • Lev V. Orlovsky
    Kyiv-born systems architect and critical technologist sponsoring micro-residencies for speculative software-based art and process-oriented experiments.

  • Sofia M. DiGenova
    Cultural historian and anonymous donor network organizer, known for supporting trans-generational feminist media archaeologies and soft architectures.

  • Tadao R. Inoue
    Former engineer and poetic software collector based in Osaka, quietly funding ephemeral audio experiments and machinic narrative breakdowns.

  • Lucille K. Brandt
    Retired archivist and shadow donor to marginal research collectives; deeply interested in diagrammatic thinking and displaced historicity.

  • Mohammad El-Qassimi
    Beirut-based legal theorist and arts patron funding artistic engagements with juridical architectures, forensics of perception, and visual truth protocols.

  • Yue Fan Wen
    Berlin-based collector of failed interfaces, supporting artists investigating interface trauma, minor gestures, and cognitive architecture collapse.

  • Henrietta R. Vale
    Writer and semiotician, supporting unclassifiable visual research that operates on the border of hallucination, language loss, and dream logic.

  • Dr. Mikhail S. Peretz
    Experimental theologian and media patron financing works that re-ritualize data, simulate epistemological collapse, and channel analog ghosts.

  • Naomi Feldmann
    Independent patron specializing in neuroaesthetics, machine sensing, and generative image systems.

  • Jules Anwar
    Jakarta–Rotterdam-based technologist and quiet supporter of post-human imaging infrastructures and glitch epistemologies.

  • Sigrid Tanaka
    Former robotics interface designer, currently funding experimental XR environments and somatic code aesthetics.

  • Elias Reynaud
    Private investor in decentralized cultural systems, AI-aided poetics, and visual cryptography.

  • Mei Chen Kuroda
    Researcher and patron with a focus on East Asian synthetic memory, digital rituals, and speculative interface design.

  • Otto Valenti
    Milan-based collector and supporter of generative adversarial practice, synthetic narrative structures, and new media archives.

  • Amira Jabbari
    Beirut–London cultural strategist funding digital diaspora narratives and decolonial code languages.

  • Ilya Köhler
    Private engineer and supporter of machine-hallucinated image cultures and affective algorithm design.

  • Lupe Morales Díaz
    Mexico City–Berlin based archivist and benefactor of real-time data performance and sensor dramaturgy.

  • Tung Zhao
    Former AI ethics consultant turned silent funder of collective cybernetic rituals and emotional computation projects.